Our 2022 Season

James and the Giant Peach
February 18, 19, 20, 25, 26, 27

A magical peach! An imprisoned boy! Insect friends! An incredible journey! This amazing adventure of James Henry Trotter will fulfill the fantasy of anyone who has ever dreamed of escape. Roald Dahl’s story comes hilariously to life in this delightful dramatization that reveals the wickedness of some, the goodness of others, and the indecision encountered by many when they are faced with crises. You will see James (as he cleverly gets the Peach out of danger), the wise Old-Green-Grasshopper and the pessimistic Earthworm. You will also see James’ mean Aunt Spiker and cruel Aunt Sponge come to a suitably sticky end.

The Spitfire Grill
April 22, 23, 24, 29, 30 & May 1

A feisty parolee follows her dreams, based on a page from an old travel book, to a small town in Wisconsin and finds a place for herself working at Hannah’s Spitfire Grill. The Grill is for sale, but there are no takers for the only eatery in the depressed town, so newcomer Percy convinces Hannah to raffle it off. Entry fees are one hundred dollars and the best essay on why you want the Grill wins. Soon, mail arrives by the wheelbarrow and things really start cookin’ at the Spitfire Grill.

Fairview
June 3, 4, 5, 10, 11, 12

At the Frasier household, preparations for Grandma’s birthday party are underway. Beverly is holding on to her sanity by a thread to make sure this party is perfect, but her sister can’t be bothered to help, her husband doesn’t seem to listen, her brother is MIA, her daughter is a teenager, and maybe nothing is what it seems in the first place…! FAIRVIEW is a searing examination of families, drama, family dramas, and the insidiousness of white supremacy.

The Little Prince
September 16, 17, 18, 23, 24, 25
The Little Prince may have returned to his own tiny planet to tend his Rose and look after his Sheep, but for a short enchanted time he returns to us and comes alive on stage. This play/musical tells the story of a world-weary and disenchanted Aviator whose sputtering plane strands him in the Sahara Desert and a mysterious, regal “little man” who appears and asks him to “Please, sir, draw me a sheep.” During their two weeks together in the desert, the Little Prince tells the Aviator about his adventures through the galaxy, how he met the Lamplighter and the Businessman and the Geographer, and about his strained relationship with a very special flower on his own tiny planet. The Little Prince talks to everyone he meets: a garden of roses, the Snake and a Fox who wishes to be tamed. From each he gains a unique insight which he shares with the Aviator: “It is only with the heart that one can see rightly.” “What is essential is invisible to the eye.” At length, both the “little man” and the Aviator must go home—each with a new understanding of how to laugh, cry, and love again.

Our Town
October 28, 29, 30 & November 4, 5, 6
A landmark in American drama, Thornton Wilder’s Pulitzer Prize-winning Our Town tells the story of a small town, Grover’s Corners, in order to tell us the story of every town, the whole world over. Narrated by the “Stage Manager”, we follow the Gibbs and Webb families, residents of Grover’s Corners, through twelve years of life changes — from the mundane in Act I, “Daily Life,” to the romantic in Act II, “Love and Marriage,” to the devastating in Act III, “Death and Eternity.” Through the young lovers Emily and George, their strong and loving parents, and the many other Grover’s Corners’ locals, Wilder delivers universal truths about what it means to be human. “Oh, earth,” Emily Webb exclaims towards the play’s end, “you’re too wonderful for anyone to realize you.” With humor, wit, and exceptionally powerful storytelling, Our Town offers a unique opportunity for audience members to make precisely that realization.

RENT
December 9, 10, 11, 16, 17, 18

Based on Puccini’s beloved opera La Bohème, Rent follows the ups and downs of a year in the life of a group of impoverished, artistic friends living in Manhattan’s East Village. Mark, an aspiring filmmaker, struggles to find his place in the world; his roommate Roger, an HIV-positive musician, wonders how he will leave his mark before he dies. Mimi and Angel look for true love as they face the harsh reality of life as HIV-positive young people, while the businesslike Joanne seeks fidelity from her wild-child performance artist girlfriend Maureen. The group’s dreams, losses, and love stories weave through the musical’s narration to paint a stunningly raw and emotional portrait of the gritty bohemian world of New York City in the late 1980s, under the shadow of HIV/AIDS.

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